Humor is typical and because of the lackluster story structure, the SK – Soori combination humor helps the movie in being engaging. These sort of regressive glorified politics is there packaged as protectiveness or responsibility. And at one point Seema Raja is comparing his stalking talent to that of the story of the Phoenix bird.
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If you try to address the politics of the movie, Ponram is sort of glorifying the old zamindar culture by saying it knew how to maintain it rather than the current system. But the story is so thin and the subplots are so wayward that the chances of you remembering any of the jokes is pretty less.
As a package of two hours of laughter, Seema Raja might work. It seems like Ponram and Sivakarthikeyan know the fact that Sivakarthikeyan can’t go for a full-fledged action hero flick right now and you are repeatedly shown comedy bits to maintain the humor vibe of the combo. And much like a lot of Tamil entertainers that target the B and C center audience by compromising the longevity of the content, Seema Raja also goes after pointless humor, glorified romance and excessive heroics. The summary I just mentioned above could give you a feeling that it is a simple and effective idea for an entertainer. How the attempt to save the relationship results in the enlightenment of the “prince” is what Seema Raja dealing with. Now there is no glory and a tussle over the ownership of the common market in the village results in a scenario where the love life of Seema Raja ends up in a difficult situation. So our hero Seema Raja belongs to the youngest generation of a family that ruled one part of Tamil Nadu for a long time.
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